Goethe Festival

Culture must be understood as an indispensable part of the daily orientation”, the Culture Minister Heinrich Enderlein announced at the time. The friend of the arts agree”to celebrate in the traditional art world not only the private atmosphere, but also the comeback of Salon culture with ever-changing venues. Through the medium of art, these socially ethical values should revive and stimulate intergenerational dialogue in harmony and sophisticated art event. Also among other things arguably the most successful programs of the society were the exhibitions staged in several projects and stations to the 250th Goethe year 1999, when Christina Assmann, Alexandra Sell, Gabriele Basch, Julia Van Koolwijk, Kirsten Lampert, Kate Waters, Mantalina Psoma, PIA Dehne artists, Renate Wolff, Ute, Janssen took part. “250 years GOETHE artists see GOETHE” bundled exciting artistic positions of 10 international artists and provoked interest in an artistic current theme with a unique female perspective. So the company could friends of the arts”sharpen its profile and compete not only with the Germany-wide festivities of Goethe, but also striking about sign in the traditional art. The appropriate frame lock Jacobi, of Malta, as well as the Derendorfer freight yard and the Heinrich-Heine was the Goethe Museum Dusseldorf University (see also projects Goethe Festival 250 years Goethe).

For the year 2004, the friends of the arts plan already the nearest Goethe Festival (Note editors: 2004 the friends of the arts of Dusseldorf the Goethe Festival held 255 years Goethe where the artist Silke Michel, Kristin Dembny, grit Wallace, Marta Maria Georgia Tanea, Julia Graff situation, Gila Abutalebi, Stefanie) Purschler, Sandra Hoitz, Anna Vilents and Karin Mitikuhler, the guitar duo Christof stainless Ward and Jan Knobloch took part. For the year 2009 it will see Edition artists to the 3.ten Goethe come to the 260 year of birth of Goethe). Their nationally acclaimed activities stand for quality and an excellently curated selection Gottfried Bohmer is responsible for that. In the year 1999 alone, over 40,000 guests came to all exhibitions and accompanying events. The year 2000 began initially perform several exhibition projects. The focus of the company was entirely on the large-scale project THE exhibition OK1 “set, held from December 2000 to May 2001. Several thousand visitors were able to once again the quality of the fine artists PIA Dehne, Katja Prewozny, Christina Assmann and Katharina Meyer convinced.