French Forms

The history or the reading of the time. Belo Horizonte: Authentic Publishing company, 2009. ‘ ‘ History is a glad, full car of a contented people Who runs over indifferent that one all denies that it. It is a train scratching out tracks, opening new spaces Waving many arms, balancing ours filhos’ ‘ (Chico Buarque/Pablo Milans) In its workmanship the history or the reading of the time, Authentic, 2009, Roger Chartier, Pope of New Cultural History, discourses concerning the historiogrfica production and the problems that perpassam the writing of history. The rhetorical form and narrative of history concomitantly go being shown with its place of production? before the monasteries and palaces, today the university academies – and also its forms of spreading? editorial and through the Internet.

The forms are cited to inside produce history and its divisions between diverse historiogrficas chains beyond its temporalities and forms of writing shared with the fiction or of its arcabouo conceptual scientific. It has also the competition with the scenic arts and literature in the art to reconstruct the facts with probability. Roger Chartier, French of Lyon, researcher and university professor are managing of research of the School of High Studies in Social Sciences and also member of the Center of European Studies of the Harvard University, in the United States. The history or the reading of the time is its tenth workmanship published in Brazil, country that Le visited for some times and where one of the French intellectuals is considered more influential contemporaries between the students of social sciences. Its practical book cultural history between and representations, published in Brazil in 1988, helped to create a new concept for the research in cultural history: the concept of ‘ ‘ representations and prticas’ ‘. In its first chapter, history, between story and knowledge, Chartier cites historians as Paul Veyne, Michel de Certeau, Hayden White, Carlo Ginzburg among others to speak concerning the forms of narrative rhetoric of history.

Tamara Exhibitions

After the liberation to Copenhagen, and shortly after they traveled to Paris, where are installed and birth of his daughter, Kizette; in this initial period in Paris is when Tamara undertakes a formal education in painting, studying under the guidance of Maurice Denis and Andre Lothe. Despite the vicissitudes of life Tamara maintains an economic status, reinforced by the sale of his first paintings, allows a fairly loose train of life (that would be the sign of his life) and that will allow you to perform numerous trips around Europe in the company of high society in contrast with its intimate bonding with the Paris bohemia, by that time of great characters that would make history in many fields such as Cocteau and Picasso. With its style clearly defined and framed in Art Deco in the 1920s, participates in exhibitions that open the doors of the world, so to speak, attaining spaces of dissemination for if same and his work in magazines as Harper completo Bazaar. In this decade large events occur in his life: he moved one season to Italy where in addition to presenting his works in exhibitions maintains relations with the playwright Gabrielle D’ announcement that although hard just three short years will leave deep emotional brands; also in these years you will achieve an important recognition by winning notable awards and recognitions in Bordeaux and in Poznan in addition to concretize his divorce from Tadeus in 1928. In the following years consolidates its position as an artist producing their most notable paintings, among them self-portrait at the wheel of a green Bugatti which will provide you with recognition, (in addition to numerous commissions), as a portraitist. In 1933 he married the Baron Raoul Kuffner, who is also his greatest collector and art dealer. Avizorando hard times that predicted the nazi threat moved to United States in 1939 where addition of mingle with the more select society and great artists film at his residence in Beverly Hills, made successful exhibitions in New York and San Francisco, his daughter, Kizette meets with them at this time and shortly later she marries an American geologist.

Lobo Antunes

Their words and their phrases, sometimes repeated up to sacrilege, to nausea, are deducted his unfathomable desires and their insurmountable urgencies. The soul trapped by herrumbrosos links of concern sprouts with the barely audible voice in the silent wasteland of reading. Angola arises frequently in several of his creations, as an act of confession in all their lustful malevolence. The Lusitanian invader shows his Fuzzy face when you remember it in good evening to the things down here and the ass of the world. He does not forget that it was invasive, that lived the war and it allocated some percentage of their creative energies to cause the death of starving warriors without a shadow, just men in a land of Palm trees and mountains, jungles and diamonds, mystery and superstition. Africa is the recurring nightmare, the dark passage of confusion by where his spirit has due travel to model his art for the work of Lobo Antunes. However, also stops less scabrous as they are the neighborhood where he lived during his childhood, Benfica and Lisbon, the Portuguese capital, where has been situations certain amount of catharsis in the exercise of the medical profession.

Of the latter does not hide that his work has had origin in the terrifying vision of a child’s foot under a headstone sheet, under a funeral canvas. A creature died due to leukemia inoculated his last vital breath into the creative vein of the great Portuguese author. Immediately the maremagnum and the mottled interrelation of a metropolis and then the domestic atmosphere with the harshness of the debauchery of nuclei formed by the dissolution and the Evanescence in an eclosion of darkness. Novels such as exhortation to crocodiles, what I’ll do when everything Burns, don’t go so fast on that dark night and other unique grandeur, complement the catalogue of Lobo Antunes whose literary gestation period surprises by its brevity. Lobo Antunes is not easy to author and not intended to be so. The unwary reader will soon be immersed in an intricate labyrinth where cannot escape if not docked and imposes a redoubled attention to text in their eyes drawn facts, things, people, places with the meticulous talkativeness of the schizoid crisis and the paroxysm of a language devoted to the construction of gigantic verbal skyscrapers. Permanent candidate for the Nobel in literature we can almost predict that soon, laurel will Crown the temples of this brilliant and enigmatic writer. Increasingly, try to flee from the tendency to fill all words I seek the silence inside the book, I want that every reader could write his own book when I read ANTONIO LOBO ANTUNES original author and source of the article.

South Street Seaport

After the airplane ticket, the greater cost in any trip to New York is the demurrage. Although the tariffs of hotels are but economic that in the tip of the market in the 2008, the tariff average for a hotel in the city is of $150 $200 per night by rooms for two people with quarter of private bath. Two options that give the opportunity him to save in their demurrage under the pages of Web of Homeaway and Airbnb, where resident of the city they rent to rooms or apartments per days or weeks in different neighbourhoods. For greater security and convenience, it reads the commentaries of other users who have stayed themselves in the place to verify if he is advisable to transportation and if the lodging as is described. The price of the rents varies following the level of privacy and the location of the lodging. 2. Some museums in New York, such as the Metropolitan Museum and the Museum of Natural History, have suggested tariffs of admission.

If it wishes to pay less money it can do it in boletara of the museum (is not possible to buy tickets in the page of Web by smaller amount of money that the suggested tariff). The Museum of Modern Art free has hours of admission Fridays from 4 to 8 at night, and the Whitney Museum allows that the visitors pay what they wish 9 Fridays from 6 to p.m. 3. If it wishes to see some work or musical comedy of Broadway, the kiosks of TKTS in Times Square and the South Street Seaport sell tickets to prices of discount for the function of the day of diverse works and musical comedies. It is recommended to watch the hours of beginning of ticket sale, since the service is very popular and the tickets available are limited.