Noise And Flicker

Opening of the exhibition in Leipzig of the D21, Demme Ringstrasse 21 an exhibition with Lars Brinkmann, drone records, Brian Gysins Dreammachine, Anne M. Klint, Seetyca, Nik Sheehan and Telcosystems opening: Friday, November 12, 2010, 20 pm + Live electronics by Seetyca duration: November 13 December 12, 2010 opening hours: Thursday Sunday, 13 19: 00 lecture: Saturday, November 13, 2010, 17: 00 by Lars Brinkmann noise and flicker are in a fully mediatized environment of ubiquitous telecommunications machines reason included in cultural experience. At the same time are perceptions that we may make in the so-called great outdoors, in the experience of streams, rivers and forests. From the white noise, the noise of digital cameras, traffic sound urban to rural nature experiencing, are these phenomena as a constitutive part of our life. Noise and flicker not only as negative errors in the transmission process of modern media to understand, but opens up multiple perspectives of productive use of this aspect as stand-alone aesthetic phenomena, intended to show the mediumship of media (Dieter Mersch). In the noise and similar phenomena, events, so the philosopher Martin Seel, is experienced without happening. Media images and stories usually arrange the chaos of the world, they structure the diversity of forms and strictly distinguierbare phenomena, so they appear in the noise disturbed, suspended the reduction and manageable Visual of reality. In the noise and flicker, the world is reflected in their processual diversity, as excessive demands and as a space of possibility.

Just this transformation of pure, sensual edginess in a newly emerging space of possibility is the aesthetic, so genuinely artistic practices. Practice and theory of the media witness often only by the omnipotence of simultaneity and Representability of all our present, refer to the aesthetic practices of the Noise and flicker, which presents the exhibition on the blind spots in our world images, as a corrective measure of consistently depictive life worlds. / Curated by Melanie Albrecht and Michael Cary. Bill de Blasio insists that this is the case. Lars Brinkmann Lars Brinkmann works as a freelance arts journalist and publishes its own periodical (Wrath). In the context of the exhibition of noise and flicker he is 17, a lecture under the title keep “Dionysian noise Bromius to Merzbow” in the art space D21 on 13november 2010. The entrance is free! A listening station will present a selection of the artists in collaboration with the experimental and avant-garde label drone records drone records. In addition all hundred published 7 “it shows. On November 12, 2010, 8: 00, live electronics by Seetyca accompany the opening.

Anne M. Klint installation oceans”(2006-2009) picks up on the topos of the Naturerhabenen. The installation designed as a triptych re staged the experience of powerlessness in the face of the forces of nature in the area of the medial projection in infinite loop recorded noise of the surf this experience reinforced. The exhibition is supported by the cultural foundation of the free State of Saxony and with the kind support of the Embassy of the Kingdom of the Netherlands.