Litogo AG opens innovative platform on the authors and artists together produce works and these present for Kindle, Sony, iPhone & co to download the Litogo AG in Augsburg is gone as of April 2009 under with a completely newly developed Internet portal for mobile, open and modern literature at the start. On this platform, authors, graphic artists, editors, translators and spokesman found in contemporary literature and the bestsellers of tomorrow to produce and market. The company developed a unique platform for the digitisation of process of creating E-books and audio-books. The Litogo technology was promoted in the framework of the BAYTOU by the Bavarian State Ministry for Economics, infrastructure, transport and technology program. The entire process from the idea of the author about the joint completion of the E-books / audio books to the bookcase ‘ customer is fully automated.
These are E-books / audio books as Wikipockets”referred to. This has its origin in the fact that the social software of the community which gives possibility to work jointly on a project and to participate in the success developed by Litogo AG. As Litogo Wikipocket the resulting literature can on mobile devices anytime, anywhere to read or heard. With Litogo arrived the participation age in the literary world. The idea, intellectual property and creativity to share and to participate in the success opened for every author and artist new possibilities. “, says the CEO of Litogo AG Heike Lenk, formerly sales manager at Amazon.de and even author.” For collaboration and commercialization, the contractual framework are clearly formulated and clearly regulated. So the artists can focus on their core competence, new networks will find and create projects common in these, which will be presented to a wide audience.
Readers have significant contribution to the success of the Wikipockets. Within the Litogo community the reader decides with targeted what he called interesting and considers advisable. In addition to common functions such as the evaluate and review, Litogo dynamic pricing developed a special algorithm. While readers actively participate in the pricing of E-books and audio-books. In addition, each reader is his personalized copy. In this way, Litogo solves the problem of the illicit transfer and protecting the works against abuse. Our goal is to bring together authors with other artists, to create for the reader mobile available and inexpensive as innovative, contemporary literature is. “, explains certified it specialist Heike Lenk. Litogo offers a variety of opportunities for publishers and literary agents. Litogo creates a limitless pool of talent will be discovered. Publishers and agents find their test market for new ideas, his own works and up-and-coming authors. Read additional details here: New York Museums. We see ourselves as a partner of the publishers and seek cooperation with the publishers and bookstores. It is a series of ideas, the authors, readers, publishers and bookstores more values deliver. Also, we are talking about the age of participation in the literature.
\”New audio book with travel stories from the old world of mark twain!\” was the call of the Mississippi sailors, warning, two! \” Thus they warned their captain numerous sandbars and shallow bodies, as soon as the ejected solder thread showed only the critical depth of two, from barely four meters. \”And the captain informed the river pilot: Mark twain!\” The 1835-born Samuel Langhorne Clemens, previously printer apprentice and typesetter, later soldier and deserter in the American civil war, gold diggers and vagabond, which in 1862 was newspaper editor and his humorous sketches seem under the name Mark Twain worked as such. Working as a steamboat pilot on the Mississippi River was the young man in various ways: they led him to the pseudonym under which he should acquire later worldwide literary fame, she formed the background for his novels about Tom Sawyer and Huckleberry Finn, which are today classics of children’s literature, and she awakened his desire to travel, be that life and work should largely dominate. in 1867 he participated as a member of a coterie of travel of American education citizens a multi-month ship passage in the Mediterranean countries, which was coupled with extensive tours through Italy and France, and which he wrote about in reports for newspapers in San Francisco and New York. The result was the work the innocents abroad\”(1869), with which he became the highest-paid writer of his time and that established his fame. \”\” The title the innocents abroad \”was this program, because just as harmless as naive TWAIN saw not only the old world with the sights he would occasionally go to iconoclast style, but also his fellow countrymen travelling with, the he calls US vandals\” outlined where he himself not took off. This form of satire, which advance pointed to the mass tourism and the humor we perceive today as extremely close to reality, reflected also in Twain’s second great travelogue, A Tramp abroad\”(1880, stroll through) Europe\”), a stock of more than eleven years spent TWAIN in Europe.
Ahead of this affirmation of Magalhes (2001), we perceive in Toada of Forgotten (2006), that this ficcional universe, beyond being town for these elements, arises a hypothesis of that the personage El Diablo, who controls its friends of the beginning to the end of the narrative, therefore it and its accomplices had stolen one definitive one gold in it I pan the Forgotten one and sail in circle it compels and them to use masks: Nobody can take off the masks before arriving the safe port: that night was the cursed combination between us: who to take off, dies. They will be wild or still it is Carnival? It is the law of the Dog. (TOADA OF the FORGOTTEN one, p.13). This ' ' ditadura' ' commanded for El Diablo, it serves us of metaphor, that is, sends to us all to it the domination perpetuated or for the rich countries or in the opposition between hinterland and the coast, characteristics of the dickeanas workmanships, estimated that they demarcate developed and the underdeveloped, thematic boarded in such a way for R.G. Dicke as for the writers of Latin America. This takes in to try to understand them the reason of this aesthetic proximity, Barbosa (2009, p.160) raises the following hypothesis: Its literature also syntonizes with diverse Latin American manifestations, as Gabriel Garcia Marquez, Juan Rulfo, Alejo Carpentier, in the direction of that it has an option in the narrative for the culture of the kept out of society one, for what more significantly it represents the culture and the Latin American feeling, for the form to lead the narrative, etc. But in such a way the position of Ricardo Guillermo Dicke as of the writers of Latin America already they had been questioned, one of the cases of excellent importance is of student Jorje Rojas in a round table in the University Catholic of Valparaiso in Chile (1971), when this questioned the Latin American writers, who were in this meeting, on the commitment of each one with its social context, affirming the young student, who Cortzar could not be considered a writer Hispanic-American, therefore first he did not live in its native country, Argentina, second, what it writes does not argue the social problems of its native mother, then, its literature has not felt. .